Original Art from the Grand Age of American Illustration
Dating to 1950, this dazzling colorful original paperback cover was painted by George Gross for Quarter Books #57, The Virgin And The Barfly. Illustrating a scene from the novel by Gerald Foster (one of many likely pseudonyms of the prolific Peggy Gladdis), this is a splashy, trashy, and altogether irresistible example of sleaze paperback […]
Artist: George Gross
A lustful, original cover painting by Rudy Nappi for the 1959 Tower paperback cover titled A Strange Kind of Love, by Lawrence Block, written under his early pseudonym Sheldon Lord. Billed as a “daring tale of the love life of a writer and his most unusual mistress,” Block has described the story as that of […]
Artist: Rudy Nappi
This original oil painting on canvasboard was created as the paperback cover for the 1953 Popular Library publication of Afraid In The Dark by Mark Derby. A lurid page turner with tag line that reads “Vengeance and Passion in Exotic Malaya.” Our research leads us to believe this was painted by Raymond Johnson, painting is […]
Artist: Raymond Johnson
A noir and exquisitely detailed rendering for an interior magazine story titled on verso French Murder. By the gifed Fortunio Matania, who was known for his photo like realism and finely detailed intricate renderings and the use of period props and embellishments to create an air of authenticity to his historically based works.
Artist: Fortunino Matania
This April 16, 1927 cover painting for “Detective Story Magazine” by John A. Coughlin is titled on verso “Hoodooed.” The well rendered oil on canvas, signed lower left, depicts a train robbery heist scene, that from the title appears to fit into a larger intrigue of voodoo and mystery. This rare Street and Smith commissioned cover painting has been relined and stretched on new pine stretchers and is ready to frame and enjoy.
Artist: John Coughlin
An early published and signed oil on canvas by John A. Coughlin for an as of yet unidentified Street & Smith pulp title. The hand of a New York City police officer is seen menacing a formally attired crowd in a surreal, chaotic action packed moment. A rare surviving original cover painting from The Golden Age of Illustration and a recent Pennsylvania estate find. Verso is titled “You Can’t Win” with a partial Street & Smith publishing label as seen. Relined and restretched and ready to frame and enjoy.
Artist: John Coughlin
A rare surviving oil on canvas depicting the rogue pulp detective magazine villain Maxwell Sanderson in one of his serialized escapades. This was created as a commissioned cover for the July 16, 1929 issue of Street and Smith’s “Detective Story Magazine.” Painted by John A. Coughlin, this work finds Sanderson with his hand caught in the safe–verso is notated with a publishing date and the title “Sanderson Trapped.” Relined and ready to frame and enjoy.
Artist: John Coughlin
A rare original Norman Saunders cover painting created for a 1950s era pulp publication. Saunders created a similarly composed Black Mask pulp cover in 1950 with essentially the same scene. This is a defining example of the suspense and danger that are the trademarks of Saunders masterful noir cover paintings. The painting has been estate stamped by the artist’s daughter and work is nicely and professionally framed.
Artist: Norman Saunders
A macabre gouache rendering by Mahlon Blaine for an as of yet undetermined publication. A highly charged noir erotic scene depicting a Vaudeville era Burlesque performer in allegorical temptation scene. The devil, with serpent’s tongue is shown behind a nude dancer representing temptation. The two figures left and right are shown as stand ins for good and evil. Blaine was a unique talent, and counter culture avant-garde artist who worked outside of the confines of the mainstream.
Artist: Mahlon Blaine
A noir styled and cleverly depicted Edwin Georgi Saturday Evening Post interior illustration for the serial story The Disappearance of Daphne by Nancy Rutledge. The work is nicely framed in a period wide profile frame and retains the Curtis Publishing verso label with print date and title.
Artist: Edwin Georgi
