lurid

Triple X Rancho is perhaps the most unabashedly lurid spicy pulp scene created by Allen Anderson during his prolific career as a freelance illustrator. This image, which features a terrified yet sexually provocative pin up cowgirl being branded against her will was created as the cover of the February 1943 edition of Spicy Western Stories, Volume #8 Issue #6. This rare surviving oil painting is in a very fine state of conservation and one of but a few examples of the artist’s published pulp covers to emerge.

Triple X Rancho

Artist: Allen Anderson

A lurid spicy pulp cover oil painting by Allen Anderson
created as the cover of the February 1943 edition of Speed Western Stories, Volume #1 Issue #2 (Trojan Publishing, Chicago). A rare surviving example of Western themed spicy pulp cover art, this was unearthed along with two additional original cover paintings by Allen Anderson that had for many years been displayed at the Cimarron Dude Ranch in Peekskill, New York.

Frisco Or Bust

Artist: Allen Anderson

Allen Anderson created this damsel in distress, Western spicy pulp oil on canvas painting as the cover of the April 1943 edition of Speed Western Stories, Volume #1 Issue #4 (Trojan Publishing, Chicago). This vivid and rare surviving example of lurid spicy pulp cover art was unearthed by Grapefruit Moon Gallery along with two additional original cover paintings by Allen Anderson that had for many years been displayed at the Cimarron Dude Ranch in Peekskill, New York.

Bucky Swings The Whip

Artist: Allen Anderson

A spectacular surviving pulp cover painting by Norman Saunders for the Popular Publications August 1952 issue of New Detective Magazine, Volume #18 Issue #1. Saunders masterfully employs an extreme perspective and palette to give the scene an intense sense of danger, tension and drama. During the 1950s heyday of pulp magazines, literally hundreds of titles would be competing for customers any given month and publishers used Saunders dramatic, erotic, and intense covers to give their magazines the edge they needed to attract potential buyers at the newsstand.

New Detective Aerial Crime Scene

Artist: Norman Saunders

A bizarre and other-wordly rare surviving pulp cover painting by Harold W. McCauley for the October 1949 edition of “Amazing Stories”. A lurid and menacing, yet strangely beautiful illustration for the story “Tiger Women of Shadow Valley” by Berkeley Livingston. Story caption reads “There Was Death In Her Embrace”. This inspired work perfectly captures the luminous commercial technique and painterly elements of a successful Haddon Sundblom “Sundblom Shop” graduate and disciple in collision with pin-up girl, erotic science fiction pulp culture.

Tiger Woman of Shadow Valley

Artist: Harold McCauley

A sensational, action packed, original oil painting by Allen Anderson. Commissioned as a cover for the pulp title Spicy Detective this work illustrates “The Corpse is Yours” by Robert A. Garron in the May 1941 issue. The artist created a number of these spicy covers for Culture Publications in the 1930s and 1940s. Anderson had some fun with this painting, presenting his signature on the canvas of the oil painting pictured within the scene, he also employs a very thick impasto technique on the paint colors that appears on the artist’s palette at the bottom of the field to appear as fresh paint used on the canvas being created within.

The Corpse Is Yours

Artist: Allen Anderson

A bold, defining and lurid pastel cover illustration for The July 1942 “Expose Detective True Crime Cases” illustrating the interior story “Sex Was My Racket”. In this case the tables are turned to lurid effect as the typically menaced pin-up queen cover girl is brandishing a large gleaming knife and a hard boiled outlook. A large and desirable rare surviving example of the detective genre of the Spicy Pulps. From the important estate of Charles Martignette, co-author of “The Great American Pin-up”.

Sex Was My Racket

Artist: Cardwell Higgins

A lurid and menacing presumably commissioned cover painting for an as of yet undetermined spicy pulp publication circa 1930s-40s. By the New York State artist George Lee Trimm, who worked as a cover artist for various Western Fiction Publishing [Red Circle] pulps C. 1935-1942. Trimm created commissioned murals for the Finger Lakes region of upstate New York and is listed in Who’s Who in American Art.

Undone by the Sun

Artist: George Trimm

Gil Cohen created this expertly rendered, noir, hard boiled interior story illustration for the April 1963 edition of Male Magazine. The story this brings to life is titled The Combat Hero Who Survived Korea’s Worst Brainwashing. This typifies the lurid, envelope pushing work which earned Mens genre magazines the apt title The Post-War Pulps. Caption reads … “confess to your germ warfare crime”, they told him or die like an animal…” Work is nicely matted and framed in excellent condition.

The Worst Brainwashing Ever

Artist: Gil Cohen

This is a bright, well-executed, published oil on canvas by “The King of the Pulps” Walter Baumhofer. Originally an interior illustration for The Girl With the Lemon Colored Hair, a short piece of fiction by the infamous author Vina Delmar. This stunning artwork was published in the September 1943 issue of Cosmopolitan Magazine. A published tear sheet is included with sale.

The Girl with the Lemon Colored Hair

Artist: Walter Baumhofer

« Previous Page