Grapefruit Moon Gallery

Original Art from the Grand Age of American Illustration

1950s

The original cover painting by H.W. McCauley used for the August 1953 cover of “Fate, True Stories of the Strange and Unknown”, illustrating “The Gods of Voodoo” by North Hildabrand. In this offering a dancing pin-up girl levitates oblivious to the black magic and darkness that lurks in the background where a goat is about to get sacrificed in a voodoo ritualistic fire blazing act, creating the collision of beauty and darkness which is in essence what makes the pulp cover paintings by H.J. Ward, H.W. McCauley, Virgil Finlay and other American illustrators fascinating and so desirable today.

The Gods of Voodoo

Artist: Harold McCauley

A futuristic and important rare surviving science fiction themed mixed medium illustration by Edward Emshwiller used as the cover for the first sci-fi anthology compiled by Gnome Press under the title “Science Fiction Terror Tales” in 1955. Beautifully framed and matted behind glass and signed “Emsh” lower middle with the artists ink-stamped address on the verso.

Science Fiction Terror Tales

Artist: Emsh

In this nostalgic themed oil and graphite on board, Bill Medcalf offers a view of a sleigh arriving at a rural family home. Evoking memories of ancestral Christmases past, the scene features a smiling group of three generations of kin enjoying a snowy morning. The mustached man and woman holding a baby are featured in many images created by Medcalf, and presumably these were intended to become a year long calendar, which tells a story of a family through time.

Winter Wonderland

Artist: William Medcalf

Capitalizing on the mid-1950s nostalgia for a lost vision of the American heartland, William Medcalf presents a view of a 19th century midwest barn dance, with smiling couples who appear plucked straight of out of the 1955 Academy Award winning musical Oklahoma!. This large, colorful, highly expressive oil on board with graphite highlights was created as the final preliminary painting for a published Brown & Bigelow calendar image. During the 50s, Bil Medcalf was known as one of the company’s star illustrators, and created numerous 12 page calendar series based around themes of classic Americana.

Barn Dance

Artist: William Medcalf

During the 50s, Bil Medcalf was one of Brown & Bigelow’s star illustrators, creating 12 page calendar series based around themes of classic Americana. Here, he evokes a classic 4th of July celebration with revelers enjoying a day at Riverside Park. From the soldier checking out the ravishing redhead disembarking her carriage, to the new parents cooing over their baby buggy, the scene evokes a vision of a simpler time, and a patriotic and nostalgic sense of 19th century America.

Riverside Park, 4th of July

Artist: William Medcalf

This nostalgic oil and graphite on illustration board, offers a peek into the early days of automotive touring. Bill Medcalf created this as a final presentation painting for one of Brown & Bigelow’s historically themed 12 month Americana calendars. In their finest Sunday clothes, a family taking a jaunt in their 1908-era Ford Model T find themselves lost on a country road. Bringing many of the classic archetypes of early motoring together, the male driver of the car refuses to look at the map his wife is consulting, while a farmer (who has likely never seen a car before) directs them in exactly the opposite direction than they were headed.

Country Drive

Artist: William Medcalf

During the 50s, Bil Medcalf was one of Brown & Bigelow’s star illustrators, creating 12 page calendar series based around themes of classic Americana. Here, he evokes a county fair, with sideshow attractions, and a boy enjoying his first ride on a horse, as his family beams with pride. The scene evokes a vision of a simpler time, and a patriotic and nostalgic sense of 19th century America. This large, colorful, highly expressive oil on board with graphite highlights was created as the final preliminary painting for a published Brown & Bigelow calendar image. Each month likely celebrated a different seasonal landmark.

The County Fair

Artist: William Medcalf

A unique offering from the estate of Charles Martignette, the original Banshee’s club “Silver Lady” award presented to comic artist George McManus by Walt Disney himself on January 16th, 1952 at a Beverly Hills luncheon. This award statue was designed by another legendary illustrator, Willy Pogany and features a near nude pin-up girl with a quill pen and an elf and is silver-plated over cast bronze. This was purchased by us at the Charles Martignette estate auction in Delray Beach after the author’s untimely and sudden death in 2008.

Banshee’s Award, George McManus

Artist: Willy Pogany

A spectacular surviving pulp cover painting by Norman Saunders for the Popular Publications August 1952 issue of New Detective Magazine, Volume #18 Issue #1. Saunders masterfully employs an extreme perspective and palette to give the scene an intense sense of danger, tension and drama. During the 1950s heyday of pulp magazines, literally hundreds of titles would be competing for customers any given month and publishers used Saunders dramatic, erotic, and intense covers to give their magazines the edge they needed to attract potential buyers at the newsstand.

New Detective Aerial Crime Scene

Artist: Norman Saunders

 

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