Public art in the 1930s is today synonymous with the Works Progress Administration–a New Deal Federal program that underwrote regionalist and modernist fine artists by commissioning their work for murals that can still be seen throughout the United States. Less often remembered is how private industries during the Great Depression and World War II became patrons of the […]
regionalist
From a recent east coast estate auction, Grapefruit Moon Gallery is delighted to have acquired a previously unseen collection of American Expressionist oil paintings dating to the 1940s and executed in a WPA, Regionalist, and often times stark Ashcan School design aesthetic. These are the work of the important American photo-journalist Alfred Statler, […]
Artist: Alfred Statler
Evoking both French impressionism and the regionalist spirit of the WPA, this Dewey Albinson oil on canvas shows a pair of figures (seemingly father and daughter) walking through a country lane on a summer afternoon. With their backs to the viewer, the pair walk from the shadows towards the sunshine, but further down their path […]
Artist: Dewey Albinson
One of two 1930s oil on stretched canvas paintings we have acquired by Robert T. Riley, a New York state fine artist and illustrator who worked in a social realist / WPA bleak stylized Regionalist aesthetic. In this expressive work, Riley evokes the anxieties caused by a football injury as a player is carted off the field, capturing the multitude of pained expressions on the faces of those gathered. This somber, painting was created during the depths of the Great Depression and it offers bleak commentary on the hardships endured by all men.
Artist: Robert Riley
This large, epically scaled, WPA-era beach scene is a wonderful fine art painting that takes the forms and themes of the regionalist art movement which was revolutionizing the American art scene in 1939 when this was created, and adapts them to the classic Connecticut shore. Recalling the work of Thomas Hart Benton, and George Bellows, this oil on board shows a group of friends looking on in a mix of shock and wonder at some roughhousing co-eds. Three men appear to have a bathing beauty and appear to be about to toss her into the ocean. Is it all in good fun, or is it something more sinister? By withholding the answer, the artwork takes the beach scene and gives it the provocative modernist spin and Ashcan School grittiness that defined art in the WPA regionalist era.
Artist: Alton Tobey
Featuring a Depression-era machinist at work creating a Pratt & Whitney aircraft engine, this 1940 artwork by WPA artist Alton Tobey combines the unusual muted palate and composition of the regionalist movement with the dystopian feel of the surrealists. This powerful oil on canvas was created for the East Hartford Pratt & Whitney plant, and presents a deeply moving picture of industrialism in the lead up to World War II.
Artist: Alton Tobey
