Original Art from the Grand Age of American Illustration
A delightful and rare surviving Art Frahm pin-up Calendar oil painting likely commissioned by The Joseph Hoover Calendar Company. This was from the collection of the late Charles Martignette, co-author of “The Great American Pin-up”. Verso indicates the work was done by Vaughan Bass but it is clearly initialed lower left by Art Frahm and is the work of Frahm without question. This was likely mislabeled years ago by a Calendar Company printer or office worker.
Artist: Art Frahm
A dazzling, large oil on canvas painting by frequent Saturday Evening Post cover artist Frederic Stanley. This wild prohibition-era, Charleston-dancing, Roaring Twenties flapper girl celebrates a Loew’s Theatre New York Policeman’s Ball Burlesque show. This is a wonderfully rendered artwork and a piece of New York history originally owned by Eve Green, the first wife of hotel magnate Harry Helmsley. Created for the cover of the program associated with this 1926 review, this important work showcases the 1920s jazz-age aesthetic of Manhattan’s bustling Vaudeville/Burlesque social scene.
Artist: Frederic Stanley
A large and well rendered oil painting by William Medcalf, likely created for The Brown & Bigelow Calendar Company. This dates from the 1940s to early 50s; an era of situationally challenged cheesecake themed entanglements. In this instance, a red head bathing beauty has been startled (or perhaps merely amused) by a green frog. William Medcalf was a leading and prolific illustrator who worked in a variety of styles. His surviving pin-up commissions are especially coveted and this is a fresh-to-the-market, masterful work.
Artist: William Medcalf
An erotic and sensational pin-up painting by Mayo Olmstead presumably created for The Brown & Bigelow Calendar Company. The work is mixed media on a Crescent illustration board with pastel used for the central figure and skin tones and oil or acrylic applied in an impasto textured bold technique to the border areas creating an alarming and lively composition. Olmstead was known for his good girl styled beauties, this sun burned she devil on the other hand is entirely of another vernacular.
Artist: Mayo Olmstead
A smartly rendered late 1960s to 1970s gouache illustration painting by Mayo Olmstead presumably created for a Brown & Bigelow pin-up calendar. Olmstead, along with Fritz Willis, Clair Fry, and Bill Layne, was the Saint Paul, Minnesota calendar company’s star staff illustrator during the tail end of the pin-up craze, when a more modern and contemporary idealized beauty was preferred. A classic example of what is now referred to as “Good Girl Art” or GGA by pin-up collectors and pop culture scholars.
Artist: Mayo Olmstead
A wonderful nude mermaid themed Bill Layne Brown & Bigelow Calendar Company commissioned illustration, the second of two are offering at Grapefruit Moon Gallery. A 1950s-60s gouache on board created for one of this calendar company’s jewelry advertising accounts. This depicts a topless pin-up girl mermaid on a balance scale with a tray of freshly mined pearls surrounded underwater by a host of male atomic-age sea dwellers. The type of scene only Bill Layne could envision and execute. The whimsical charm predicts Layne’s later career in the animation department for Walt Disney feature films. We expect Bill Layne to become a wildly collected and important artist in years to come.
Artist: Bill Layne
This fresh and dazzling Gil Elvgren oil on canvas painting titled “Pot Luck” is a rare surviving commissioned work for the Brown & Bigelow Calendar Company, St Paul MN. This image graced calendars in 1961 and also served as the 6 of clubs in the “52 American Beauties” playing card series. The entire deck featured Elvgren pin-up beauties, a fact that demonstrates the incredible popularity of this iconic artist. With its sin city scenario, and Kim Novak/Marilyn Monroe inspired seductress at the one armed bandit, this is exciting, risque and unquestionably one of the most desirable Elvgren artworks to come to market. Recent auction records on the artist top out at $262,900 and on July 15th 2009, 3 Brown & Bigelow original calendar pin-ups closed at $215,100.00, $191,200.00 and $143,400.00 after spirited bidding. Elvgren is without a doubt the most important pin-up artist in American history and this is by all accounts a masterwork and an Elvgren painting for the ages.
Artist: Gil Elvgren
The finest example of a Bill Layne Brown & Bigelow Calendar Company commissioned illustration we have had to offer. A 1950s-era gouache on board titled “Pearl Gardens, for Cultivated Pearls”. Created for one of this calendar company’s jewelry advertising accounts, the image depicts a pair of topless pin-up girl mermaids in an underwater oyster mine with a host of male atomic-age sea dwellers. The type of scene only Bill Layne could envision and execute.
Artist: Bill Layne
A 1940s gouache painting on illustration board showing a silk stockings wearing heartbreaker exposing her garter and getting the worst of a little winter fun. This is by the pin-up artist Winer who created numerous covers for the pin-up magazine titles of the day such as Beauty Parade, Titter, and Wink. Work is unsigned but comes from a Los Angeles estate which featured several signed examples by the artist similar in all regards and artistic aspects.
Artist: Winer
A delightful and never before offered on the market large and sensational Brown & Bigelow commissioned pastel illustration by Rolf Armstrong, featuring a sassy and sexy stylized southwestern attired cowgirl in traditional charro hat, riding pants and and tassled boots. From the zenith of Armstrong’s long tenure as “The Father of American Pin-up”. A 1944 large Brown & Bigelow Calendar of image titled “Hi, Neighbor” is included in sale. Among the finest Armstrong works we have ever owned.
Artist: Rolf Armstrong
