Original Art from the Grand Age of American Illustration
This original late 1940s-early 1950s pin-up sketch drawing is attributed to Gil Elvgren and was originally purchased from the artist's son. Years ago, this was acquired by our colleague Rick Martin, author of the reference guide Vintage Illustration, and full provenance history comes with purchase. The work is unsigned, and as such can only be […]
Artist: Attributed to Gil Elvgren
Price: Sold
Gillete Elvgren is regarded today as the most technically proficient and gifted commercial pin-up artist of the 20th century, a prolific and hard working perfectionist who created luminous portraits of the mischievous girl next door for the Louis F. Dow Calendar Company and later the Brown & Bigelow Calendar Company.
Original pin up painting by Gil Elvgren for sale at Grapefruit Moon Gallery. "He was neither a gentleman or a sculler," Oil on canvas, Brown & Bigelow, 1948
Artist: Gil Elvgren
Price: $50,000.00
A 1949 Western Americana cowgirl themed gouache on illustration board which comes directly from the archives of the 100-year-old San Francisco ad agency/lithography company "Stecher-Traung & Schmidt." The work is in the style of George Petty, and Ben-Hur Baz. Among other noted artists Stecher-Traug employed Gil Elvgren, E.B. Segner & Mary Mayo. This commissioned illustration is dated and inkstamped in the lower corner but is unsigned. Work is beautifully framed and matted in a period ornate gesso frame.
Artist: Unknown
Price: $5,500.00
Grapefruit Moon Gallery is delighted to offer Gil Elvgren's original 1953 oil painting "Aw-Come On," which was commissioned and completed for The Brown & Bigelow Calendar Company. One of the artist's more enduring and popular pin-up images, this artwork features frequent model Myrna Hansen posed as a matador of sorts attempting to use her feminine wiles to persuade her disinterested poodle pup to take a turn in the ring.
Artist: Gil Elvgren
Price: Sold
This never before offered for sale, large original Gil Elvgren calendar pin-up painting was originally commissioned by the Brown & Bigelow calendar company in 1950 for their "Miss Sylvania" advertising line. The stylized cobalt blue and neon light idealized view of Midtown Manhattan with The Sylvania Building ablaze in the night underscore the importance of the lighting and electric company to the city that never sleeps.
Artist: Gil Elvgren
Price: Sold
This 1953 deliriously sexy nude pin-up oil painting by Gil Elvgren for the Brown & Bigelow Calendar Company dates to the artist's best period. This image was used in a deck of playing cards under the title Cee Bee (To Hold) Fascinating Figures and is pictured as figure 251 in Gil Elvgren All His Glamorous American Pin-Ups by Charles G. Martignette and Louis K. Meisel. From the Estate of Charles Martignette.
Artist: Gil Elvgren
Price: S O L D
An original Gil Elvgren pin-up oil painting created in 1952 for the Brown & Bigelow Calendar Company of Saint Paul Minnesota. This curvy pin-up beauty appeared under the title "Hard To Suit," a pun the copy department liked so much they used it again in 1954 to describe an Elvgren girl disrobing from her duck hunting garb to reveal lingerie. This is the prototypical Elvgren girl in a comically harrowing and skin revealing pin-up entanglement with the artist's classic pursed lip expression that evokes surprise, embarrassment and provocation.
Artist: Gil Elvgren
Price: S O L D
This impactful and eye-catching original pin up oil-on-board by Gil Elvgren was created for a roadside billboard. A pretty blond Elvgren girl who has just stepped out of a swimming pool enjoys a long tall cool one in this classic good-girl example of breweriana advertising art. Painting comes with the original posed double weight photograph of the model taken by Elvgren, and is pictured on page 237 of the monograph "Gil Elvgren All His Glamorous American Pin-ups" (plate 582), written by Charles Martignette and Louis K. Meisel.
Artist: Gil Elvgren
Price: S O L D
Simply stated, Thanks for the Orchid, is the finest Joyce Ballantyne artwork to come on the market. Commissioned by Brown & Bigelow in 1955, the luminous quality of the image and the detail and texture of the brush strokes display the impact of Elvgren's teachings and collaboration on Ballantyne, if they do not indeed betray the hand of Gil Elvgren. Ballantyne worked closely with Elvgren for the better part of a decade, and it has often been suggested that he ghost painted some of her best work.
Artist: Joyce Ballantyne
Price: S O L D
