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| Cold War Cathouse |
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| Artist: | Mort Kunstler |
| Date: | 1960 |
| Medium: | Gouache on Illustration Board |
| Dimensions: | Sight Size 16 1/2" x 20" Framed 28 1/2" by 31 1/4" |
| Condition: | Mint |
| Original Use: | Possible cover "For Men Only", 1960 - "True Action", Interior May 1963 |
| Price: | $5500.00
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| Above: Full view of gouache painting |
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| Above: The artists signature lower right |
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| Above: Detail |
A tense and hyper-realist original gouache illustration by the highly regarded and prolific illustrator Mort Kunstler, this interior 2-page spread appeared in the May 1963 edition of True Action and possibly as a cover for Male Magazine in 1960. The lurid, defining action-filled image captures the prevailing nihilism associated with the 1960s "sweat magazine" art and envelope-pushing adventure fiction. This large and impacting gouache work takes place at a Korean brothel and plays on the Cold War-era fears which were prevalent in the aftermath of the Korean War.
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| Above: Full view with margins |
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| Above: Framed in a handsome gallery frame behind glass |
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| Above: Frame profile |
In the 1960s and 1970s, men's magazines exploited Cold War tensions and capitalized on prevalent working class American fears. "The Sweats," as they are commonly known, followed the blueprint set by the pulp magazines of the previous generation, depicting perceived enemies as savages, Nazis, and Communist torturers.
Leading illustrators in this strangely subversive genre, such as Norman Saunders, James Bama, Norm Eastman, Rafael DeSota and Mort Kunstler, created sensational, figurative illustrations executed in a style markedly similar to Socialist Realism and its associated propaganda imagery.
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| Above: Verso Notations in Kunstlers hand notating usage |
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| Above: Verso view |
In Adam Parfey's 2003 coffee table book It's A Man's World; Men's Adventure Magazines, the Postwar Pulps Parfey states: "Consumerism, the specifically American style of propaganda best promoted by the work of Mort Kunstler in the 50's and beyond, is an aesthetic limited by little beyond the ability to sell a magazine, though it rhetorically promoted the idea that America no matter it's behavior was always morally superior. Other political beliefs, Nazism and Communism particularly, were by the conduct of their soldiers always portrayed as being perverse, ruthless and vicious. The racial component and sadistic misogyny of men's magazines from the 50's, the 60's and even the 70's is today astounding."
"What's also astounding is the imagination of the illustrations, all tractioned by the ability to depict fear. Fear of enemies, fear of animals, fear of women, fear of any loaded attack on the buyer's manliness."
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