Welcome to Grapefruit Moon Gallery. Here you will find an archived visual history of past sales. Pretty to look at, some are quite old; but when they're in here, consider them sold.

A wonderfully inventive and unique early space-age (dated 1955) gouache calendar illustration by Bill Layne for the Royal 76 Gas Station chain. Showing the companies inventive and modernist machine age state of the art service station facilities. Uniquely embellished by the artist with his familiar elf figures and space exploration themes. Banner flag reads "Tickets Here For Cosmic Ray Absorber". This is a tremendous futuristic work that should find traction among Petroliana collectors and space-age/atomic age lovers.

A large scale impressive oil on stretched canvas by noted New York City illustrator Howard Chandler Christy titled "Surrender of the Blockhouse, Spanish-American War". A boldly rendered impressionist work that depicts one of the war's climactic battle scenes of 1898. Signed lower left and framed with a title plaque. Stretcher bar bears the notation "Oct. Cover." This is a defining example of the artist's historically impactful work that deftly shows Christy's expertise in making battle scenes come to life.

A dazzling, large oil on canvas painting by frequent Saturday Evening Post cover artist Frederic Stanley. This wild prohibition-era, Charleston-dancing, Roaring Twenties flapper girl celebrates a Loew's Theatre New York Policeman's Ball Burlesque show. This is a wonderfully rendered artwork and a piece of New York history originally owned by Eve Green, the first wife of hotel magnate Harry Helmsley. Created for the cover of the program associated with this 1926 review, this important work showcases the 1920s jazz-age aesthetic of Manhattan's bustling Vaudeville/Burlesque social scene.

A large and well rendered oil painting by William Medcalf, likely created for The Brown & Bigelow Calendar Company. This dates from the 1940s to early 50s; an era of situationally challenged cheesecake themed entanglements. In this instance, a red head bathing beauty has been startled (or perhaps merely amused) by a green frog. William Medcalf was a leading and prolific illustrator who worked in a variety of styles. His surviving pin-up commissions are especially coveted and this is a fresh-to-the-market, masterful work.

An erotic and sensational pin-up painting by Mayo Olmstead presumably created for The Brown & Bigelow Calendar Company. The work is mixed media on a Crescent illustration board with pastel used for the central figure and skin tones and oil or acrylic applied in an impasto textured bold technique to the border areas creating an alarming and lively composition. Olmstead was known for his good girl styled beauties, this sun burned she devil on the other hand is entirely of another vernacular.

This fresh and dazzling Gil Elvgren oil on canvas painting titled "Pot Luck" is a rare surviving commissioned work for the Brown & Bigelow Calendar Company, St Paul MN. This image graced calendars in 1961 and also served as the 6 of clubs in the "52 American Beauties" playing card series. The entire deck featured Elvgren pin-up beauties, a fact that demonstrates the incredible popularity of this iconic artist. With its sin city scenario, and Kim Novak/Marilyn Monroe inspired seductress at the one armed bandit, this is exciting, risque and unquestionably one of the most desirable Elvgren artworks to come to market. Recent auction records on the artist top out at $262,900 and on July 15th 2009, 3 Brown & Bigelow original calendar pin-ups closed at $215,100.00, $191,200.00 and $143,400.00 after spirited bidding. Elvgren is without a doubt the most important pin-up artist in American history and this is by all accounts a masterwork and an Elvgren painting for the ages.

The finest example of a Bill Layne Brown & Bigelow Calendar Company commissioned illustration we have had to offer. A 1950s-era gouache on board titled "Pearl Gardens, for Cultivated Pearls". Created for one of this calendar company's jewelry advertising accounts, the image depicts a pair of topless pin-up girl mermaids in an underwater oyster mine with a host of male atomic-age sea dwellers. The type of scene only Bill Layne could envision and execute.

Grapefruit Moon Gallery is delighted to offer a fresh (in all respects!) original oil on canvas pin-up painting by Vaughan Bass for The Louis F. Dow Calendar Company. A young strawberry-blonde nude bombshell with a curling iron readying herself for a night out on the town. A never on the market before fabulous estate find by this under valued and very talented and prolific calendar artist. Work is on original pine stretchers and in a very fine state of conservation, in all regards "The Great American Pin-up".

A 1940s gouache painting on illustration board showing a silk stockings wearing heartbreaker exposing her garter and getting the worst of a little winter fun. This is by the pin-up artist Winer who created numerous covers for the pin-up magazine titles of the day such as Beauty Parade, Titter, and Wink. Work is unsigned but comes from a Los Angeles estate which featured several signed examples by the artist similar in all regards and artistic aspects.

The second work from a pair of 1920s gouache paintings by the Minneapolis Minnesota artist Lee Mero, titled "Land O' the Sky Blue Water." This retains its brightly colored pin striped art deco enamel painted wood frame. This was likely a commissioned work for the Buzza Motto Company who prospered during the Roaring 20s Jazz Age years providing prints, plaques, bridge tallies and menu books that captured the style and aesthetics of the burgeoning modernist art deco movement. This beautiful depiction of northern Minnesota's 10,000 lakes glory captures the fascination with Native American culture with an Indian Chief in a birch-bark canoe and blue heron birds that are indigenous to the area.